Glory to God in the Lowest

Sarah Phippen

In Glory to God in the Lowest, a streak of light pours from the sky, ending in a splash of holy fire containing the Nativity scene. In the birth of Christ, all of eternity is enfleshed in the trappings of time, a concept eloquently explored by G.K Chesterton in “Gloria in Profundis,” the inspiration for Sarah Phippen’s painting.

 

Gloria in Profundis

G.K. Chesterton

For in dread of such falling and failing
The fallen angels fell
Inverted in insolence, scaling
The hanging mountain of hell:
But unmeasured of plummet and rod
Too deep for their sight to scan,
Outrushing the fall of man
Is the height of the fall of God.

Glory to God in the Lowest
The spout of the stars in spate-
Where thunderbolt thinks to be slowest
And the lightning fears to be late:
As men dive for sunken gem
Pursuing, we hunt and hound it,
The fallen star has found it
In the cavern of Bethlehem.

There has fallen on earth for a token
A god too great for the sky.
He has burst out of all things and broken
The bounds of eternity:
Into time and the terminal land
He has strayed like a thief or a lover,
For the wine of the world brims over,
Its splendour is spilt on the sand.


Who is proud when the heavens are humble,
Who mounts if the mountains fall,
If the fixed stars topple and tumble
And a deluge of love drowns all-
Who rears up his head for a crown,
Who holds up his will for a warrant,
Who strives with the starry torrent,
When all that is good goes down?

 
 

Additional Information & Resources

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Sarah Phippen

Sarah Phippen studied with many generous artists across several states. She lives in Sedalia, Colorado, at the edge of the Front Range Mountains. When she is not making artwork, you can find her gardening and keeping turkeys.

 

“Gloria in Profundis” (Latin, Glory in the Depths) is G. K. Chesterton's fifth poem in his Ariel Poems series, published from 1927 to 1931. Reprinted in The Spirit of Christmas: Stories, Poems, Essays (Dodd, Mead, 1985).

Christa Issler